Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, credits: Carla Schleiffer - Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, credits: Carla Schleiffer

Phila Bergmann/Thea Reifler

Bringing Institutions to LIVE: curating live arts and creating infrastructures
5. – 17. 8. 24

School of Lovers, Zürich Shedhalle, credits: Irem Gungez School of Lovers, Zürich Shedhalle, 2024, credits: Irem Gungez
School of Lovers, Zürich Shedhalle, credits: Irem Gungez School of Lovers, Zürich Shedhalle,2024, credits: Irem Gungez
School of Lovers, Zürich Shedhalle, credits: Irem Gungez School of Lovers, Zürich Shedhalle, credits: Irem Gungez
Protozone 12,  Zürich Shedhalle, 2023 Protozone 12, Zürich Shedhalle, 2023
Protozone 12,  Zürich Shedhalle, 2023 Protozone 12, Zürich Shedhalle, 2023
Protozone 12,  Zürich Shedhalle, 2023 Protozone 12, Zürich Shedhalle, 2023
Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, credits: Carla Schleiffer Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, 2023, credits: Carla Schleiffer
Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, credits: Carla Schleiffer Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, 2023, credits: Carla Schleiffer
Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, credits: Carla Schleiffer Proto-Club4 with the work of Soft Scores by DIVAS, guided by Aga Pedziwiatr, 2023, credits: Carla Schleiffer

About the course

At Shedhalle in Zurich, Thea Reifler and Phila Bergmann work with the concept of the ProtoZone. This refined curatorial approach to process-based exhibition-making challenges the visual arts culture often attached to ‘classical’ art institutions. In the ProtoZone, live performances and transdisciplinary gatherings come together in a socio-political art space. This setup changes the very institutional structure of the space itself.

With a background in theatre, opera, choreography and performance, Thea and Phila  will share their experience of curating, producing and feedbacking live artistic formats. What are the chances and challenges of working with ephemeral arts in the visual art context?

Students will take a set of methodologies and hands-on practices from this course to engage with ephemeral art forms as curators, mediators, communicators or other facilitators.

Furthermore, they will learn about working within an institutional context or instituting one while developing a shared practice with various artists, different teams, and manifold guests. This includes building institutional infrastructures, hosting, writing applications, budgets and production plans, creating public relations, and developing outreach and education programmes.

A vision of the institution as a shared process and place of social justice and diversity drives the approach the course engages with. The course will be adapted to the practices and interests of the participants, which will be worked on and presented at the open studios.

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Venue
Hohensalzburg Fortress
Date
5. – 17. 8. 24
Teaching language
English (German possible)
What to bring
Working tools you need for your own artistic and/or curatorial practice(s)
Requirements
Practitioners of any background are welcome; experience with curating or performance art is optional.
Maximum number of participants
20
Participation fee
670 Euro (reduced 495 Euro)

Thea Reifler / Phila Bergmann

Thea Reifler and Phila Bergmann collaborate in the fields of music theater, opera, performance, installation, direction and curation. In recent years they have developed process-based interdisciplinary projects with a queer-feminist focus.