Extractive Landscapes
An exhibition by Sammy Baloji
25. 7. – 18. 8. 19
How is history reflected in landscape? How does an object give evidence of its own transformations, and how do these become visible? Sammy Baloji’s exhibition in Salzburg enquires how history is inscribed in artefacts and landscapes. The exhibition shows traces left by mining in the province of Katanga, rich in raw materials, in the Democratic Republic of Congo. Starting from the exploitation of natural resources in this region, Baloji examines processes of abstraction and transformation. Geological maps become abstract compositions when separated from their legends. The habit of a mineral is no longer recognisable in its geometric form. Photographs of rugged landscapes give only an indirect suggestion of human bodies that have laboured there. Even copper shell casings can be unresistingly turned to decorative account as flower vases.
Thus the historical living conditions and work processes in the mining region are rendered invisible. The power exerted by global value-chains, operative here, is lost in perfectly alluring images and objects that negate their origin. The traces of mining in Salzburg are still clearly evident in the landscape and in the wealth of the town – though quite differently from those left in Katanga. Without suggesting direct parallels, the exhibition invites the viewer to take a close look at landscapes, and asks how images and objects operate as bearers of testimony.
Sammy Baloji will speak with Lotte Arndt in an Artist Talk on 31 July.
An exhibition by Sammy Baloji curated by Lotte Arndt and Simone Rudolph
Information
- Venue
- Stadtgalerie Museumspavillon
- Date
- 25. 7. – 18. 8. 19
- Opening hours
- Monday–Friday 2–6 pm, Saturday–Sunday 11 am–3 pm, Closed on holidays
Sammy Baloji
Sammy Baloji, born in 1978, was raised in Lubumbashi (CD), a centre of colonial, post-colonial and contemporary entanglements related to resources. Colliding reality and representation, his photography and multimedia installations expose tensions between past and present. He mines the archive, traces social history in architecture and landscape, and probes the body as a site of memory and witness to operations of power. He is co-founder of the Picha Encounters, the Biennale in Lubumbashi.
Exhibitions
Solo exhibitions
2020 Smithsonian National Museum of African Art, Washington, D.C. Sammy Baloji, Lunds konsthall, Lund (SE). 2019 Congos, fragments d’une histoire, Le Point du Jour/Centre d’Art Editeur, Cherbourg-en-Cotentin (FR). Extractive Landscapes, Stadtgalerie Museumspavillon, Salzburg (AT). 2018 A blueprint for toads and snakes, Framer Framed, Amsterdam. 2016–18 Sammy Baloji & Filip De Boeck – Urban Now: City Life in Congo, WIELS, Contemporary Art Center, Brussels; Open Society Foundation, New York, NY (US); The Power Plant, Toronto (CA); Galerias Municipais/EGEAC, Lisbon. 2014 Hunting and Collecting: Sammy Baloji, Mu.Zee, Ostend (BE).
Group exhibitions
2020 Belgian Art Prize 2020, BOZAR, Brussels. Biennale of Sydney, Sydney (AU). 2019 FIKTION KONGO – Kunstwelten zwischen Geschichte und Gegenwart, Museum Rietberg, Zurich (CH). …And Other such Stories (with Filip De Boeck), Chicago Architecture Biennial, Chicago, IL (US). Africa State of Mind, Museum of the African Diaspora, San Francisco, CA (US). Affective Utopia, KADIST, Paris. 2018 Congo Stars, Kunsthaus Graz, Graz (AT). 2017 documenta 14, Athens & Kassel (DE). 2016 11th Shanghai Biennale, Shanghai (CN). 2015/16 La vie moderne, 13th Biennale de Lyon, Lyon (FR). 2015–17 Senses of time: video and film-based works of Africa, Smithsonian National Museum of African Art, Washington D.C.; LACMA, Los Angeles (CA). 2015 All the world’s futures, 56th Biennale di Venezia, Venice (IT).
